On New 12 months’s Eve, MF Doom’s household introduced that he had died in October at age 49, a quixotic finish to the lifetime of one in every of hip-hop’s most quixotic figures.
Earlier than his transformation into that mask-wearing supervillain character, Doom glided by Zev Love X, and was a part of the group KMD alongside his brother Subroc. On the daybreak of the 1990s, KMD was making suave, incisive, sociologically savvy hip-hop that was indebted to De La Soul and the Native Tongues, however with an extra layer of wry skepticism. Subroc was killed in a automotive accident in 1993, and the group was dropped from its label earlier than its second album was launched.
Doom went solo a number of years later, and started experiencing success in New York’s unbiased hip-hop circles. Later, starting with the Madlib collaboration “Madvillainy” in 2004, he started to garner wild acclaim as a cult determine, lastly heard and cherished past the coterie of scene purists who embraced him when he first re-emerged as Doom. However that triumphant stretch has typically had the impact of minimizing the legacy of his early profession, which set the desk for the artist Doom was to change into.
This week’s Popcast is a set of conversations with a few of the individuals who have been near Doom throughout his earliest days within the trade, when he was nonetheless Zev Love X: Dante Ross, the A&R government who signed KMD; Stretch Armstrong, who let Doom work on music at his residence studio; and Bobbito Garcia, who, together with Armstrong, welcomed Doom onto the radio, and who launched early Doom materials on his document label.