10 Classical Concert events to Stream in March

Because the reside performing arts proceed to wrestle by way of the coronavirus pandemic, listed below are 10 highlights from the flood of on-line music content material coming in March. (Instances listed are Jap.)

Feb. 28 at 1 p.m.; operavision.eu; accessible by way of March 28.

Korngold’s breakthrough opera has not been properly served on DVD. Some productions emphasize the plot’s salaciousness on the expense of its musical magnificence. For others, the issue is the reverse. If anybody can obtain the fragile stability of the 2 parts, it’s the skilled director Robert Carsen, whose manufacturing of the rapturous, late Romantic rating — a precursor to Korngold’s influential Hollywood work — appeared on the Komische Oper in Berlin in 2018, and is streaming now. The soprano Sara Jakubiak stars, and has made one thing of a specialty of Korngold lately, together with showing in one other latest Berlin staging, on the Deutsche Oper, of “Das Wunder der Heliane.” SETH COLTER WALLS

March three at 6:30 p.m.; oslmusic.org; accessible till March 10.

This ensemble, which has responded robustly and creatively to the constraints of streamed efficiency, begins a brand new words-and-music sequence, “Sounds and Tales,” with a program organized by the author Teju Cole and hosted by the actor David Hyde Pierce. Cole will learn alternatives from his work alongside visible parts and items by an eclectic array of composers: Caroline Shaw, Yvette Janine Jackson, Henryk Gorecki, Unsuk Chin, Kaija Saariaho and Hildegard von Bingen. Oh, and Beethoven. ZACHARY WOOLFE

March 9 at 7 p.m.; Facebook and YouTube; accessible indefinitely.

“Cadence: The Sounds of Justice, the Sounds of a Motion,” introduced by the Metropolitan Museum of Artwork, has been organized by Anthony McGill, the New York Philharmonic’s principal clarinet and the latest winner of the Avery Fisher Prize. Impressed by the Nice Migration and works within the museum’s assortment, McGill is joined by the Catalyst Quartet, with whom he collaborated on the group’s album “Uncovered, Vol. 1: Samuel Coleridge-Taylor.” They are going to play Coleridge-Taylor’s Clarinet Quintet in F sharp minor alongside Kerry James Marshall’s 2014 portray “Untitled (Studio),” and a premiere by Richard Danielpour, in entrance of Philip Guston’s “Stationary Figure” (1973). Closing the live performance might be Adolphus Hailstork’s solo “Three Smiles for Tracey,” juxtaposed with Joel Shapiro’s sculpture “Untitled” (2000-01). JOSHUA BARONE

March 10 at 7:30 p.m.; Facebook and YouTube; accessible indefinitely.

This adventurous saxophonist and composer presents his debut recital for the organization Young Concert Artists, which named him the winner of its prestigious worldwide auditions competitors in 2019. This system, with the pianist Xak Bjerken, consists of premieres by Carlos Simon and Saad Haddad and Banks’s personal new work “Come As You Are.” He will even carry out Mozart’s Oboe Quartet in F (with members of the Zorá Quartet) and Schumann’s “Fantasiestücke” for Clarinet and Piano — each organized for saxophone. And why not? The sax, in spite of everything, is a latter-day cousin of each these devices. ANTHONY TOMMASINI

March 12 at eight p.m.; lpomusic.com; accessible by way of September.

There are two Copland works on this program: “Appalachian Spring” and the Clarinet Concerto. However the greater information is the efficiency of Courtney Bryan’s violin concerto “Syzygy,” that includes Jennifer Koh as soloist. The Louisiana gamers have a longstanding reference to Bryan’s music; having performed her orchestral work “Rejoice,” they’ve additionally named this composer-pianist a “creative partner.” So they could properly have a really feel for her tackle Americana, which regularly consists of parts of spirituals and the blues. (Bryan’s “Blessed,” a fee for Opera Philadelphia’s online channel, can also be streaming from Feb. 26.) SETH COLTER WALLS

March 14 at 2 p.m.; teatroallascala.org, in addition to YouTube and Facebook; accessible by way of March 21.

One in all my favourite albums lately has been “Thousands of Miles,” a program principally of Kurt Weill songs carried out by the mezzo-soprano Kate Lindsey and the pianist Baptiste Trotignon with cabaret-like cool; Lindsey brings to those works each the radiant lyricism of Teresa Stratas and the uncooked Sprechstimme of Lotte Lenya, two iconic Weill interpreters. That album is the idea for this recital with Trotignon on the Teatro alla Scala in Milan, the place Lindsey will even seem in March for a double invoice of Weill’s “The Seven Lethal Sins” and “Mahagonny-Songspiel,” performed by Riccardo Chailly and streaming on RaiPlay on March 18. JOSHUA BARONE

March 18 at 10 p.m.; calperformances.org; accessible by way of June 16.

For Mitsuko Uchida, Schubert’s piano works have been a lifelong work in progress, which is why, years after she recorded the bulk of them, they’re nonetheless properly value listening to anew — currently, in on-line recitals. From Wigmore Corridor in London she not too long ago streamed the Sonata in C (D. 840) for the Cleveland Orchestra. Subsequent is that this program for Cal Performances, that includes the forlorn but tender Impromptu in A flat (D. 935); the well-known Impromptu in C minor (D. 899), with its spare, enigmatic opening march embellished by way of chords and variations; and the Sonata in G (D. 894), a font of serenity that’s nearly as good a religious balm as something proper now. JOSHUA BARONE

March 20 at 10:30 p.m.; YouTube; accessible indefinitely.

A champion of American music and dwelling composers, this pianist is also referred to as host of the favored program Revolutions Per Minutes on KALW in San Francisco. This recital, introduced by the Group College of Music and Arts in Mountain View, Calif., is a celebration of the 19th Modification, and consists of works by feminine composers from the 18th century to the current day, amongst them Clara Schumann, Amy Seaside, Margaret Bonds and Vitezslava Kapralova. ANTHONY TOMMASINI

March 21 at three p.m.; caramoor.org; accessible till March 23.

Often known as a member of the modern vocal ensemble Roomful of Tooth as a lot as for trumpeting performances in Handel’s “Messiah,” this burnished-tone bass-baritone seems in recital with the pianist David Fung below the auspices of Caramoor. This system consists of Schumann’s “Dichterliebe” in addition to spirituals and works by Dowland, Margaret Bonds, Florence Value and William Bolcom. ZACHARY WOOLFE

March 27 at 7:30 p.m.; louisvilleorchestra.vhx.tv; accessible till Might 23.

The exuberance of this ensemble and its younger music director, Teddy Abrams, is captured in its title for its streaming sequence: Louisville Orchestra Digital Version, or LOVE. Installments discover Classical and folks types, and, on March 27, the legacy of Black traditions. Abrams conducts from the keyboard in Ravel’s jazz-influenced Piano Concerto in G, and the native rapper, activist, trainer and Louisville Metro Council member Jecorey Arthur performs. ZACHARY WOOLFE

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